In an effort to study for my test, I decided to analyze a poem (which I'm horrible at) using poetry terms that I studied (blech).
I chose Give All to Love by Ralph Waldo Emerson, which is a poem I had planned to read for my personal learning plan.
GIVE all to love; | |
Obey thy heart; | |
Friends, kindred, days, | |
Estate, good fame, | |
Plans, credit, and the Muse— | 5 |
Nothing refuse. | |
'Tis a brave master; | |
Let it have scope: | |
Follow it utterly, | |
Hope beyond hope: | 10 |
High and more high | |
It dives into noon, | |
With wing unspent, | |
Untold intent; | |
But it is a god, | 15 |
Knows its own path, | |
And the outlets of the sky. | |
It was never for the mean; | |
It requireth courage stout, | |
Souls above doubt, | 20 |
Valour unbending: | |
Such 'twill reward;— | |
They shall return | |
More than they were, | |
And ever ascending. | 25 |
Shift | |
Leave all for love; | |
Yet, hear me, yet, | |
One word more thy heart behoved, | |
One pulse more of firm endeavour— | |
Keep thee to-day, | 30 |
To-morrow, for ever, | |
Free as an Arab | |
Of thy beloved. | |
Cling with life to the maid; | |
But when the surprise, | 35 |
First vague shadow of surmise, | |
Flits across her bosom young, | |
Of a joy apart from thee, | |
Free be she, fancy-free; | |
Nor thou detain her vesture's hem, | 40 |
Nor the palest rose she flung | |
From her summer diadem. | |
Though thou loved her as thyself, | |
As a self of purer clay; | |
Though her parting dims the day, | 45 |
Stealing grace from all alive; | |
Heartily know, | |
When half-gods go | |
The gods arrive. |
At first glance, Emerson's poem is about abandoning all you hold dear to embrace love:
GIVE all to love; | |
Obey thy heart; | |
Friends, kindred, days, | |
Estate, good fame, | |
Plans, credit, and the Muse— | 5 |
Nothing refuse. |
Follow it utterly, | |
Hope beyond hope: | 10 |
High and more high | |
It dives into noon, | |
With wing unspent, | |
Untold intent; |
You should follow it blindly because love is a god and knows what it's doing.
But it is a god, | 15 |
Knows its own path, |
However, despite all this, Emerson never says to follow your lover. Only the abstract concept of love itself. He personifies the concept of love as though it were the lover. It's not until later that he even mentions a lover.
Cling with life to the maid;
Not only does he not say to follow the lover, he specifically says to NOT follow the lover. If they find something they want more than you, let them leave you and don't hang onto any part of them.
But when the surprise, | 35 |
First vague shadow of surmise, | |
Flits across her bosom young, | |
Of a joy apart from thee, | |
Free be she, fancy-free; | |
Nor thou detain her vesture's hem, | 40 |
Nor the palest rose she flung | |
From her summer diadem. |
When half-gods go | |
The gods arrive. |
The whole tone of the poem is freedom. If you let go of everything for love, and follow it trusting, love will set you free. "Free as an Arab" which in Emerson's time meant a nomad of sorts. By following the concept of love and not your lover, you will find better love, perhaps even godly love.
I really like the way that you have used images and design to lay out your analysis. The color coding and how you've interspersed things really aids in seeing your thinking. Nicely done!
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